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Tripwire’s 101 Greatest Comic Artists Of All Time: No.13: Jim Steranko
No.13: Jim Steranko
Jim Steranko’s ascent in the comics’ industry of the late ‘60s happened almost without trace. One minute he was a novice with a somewhat unusual background who had made the pilgrimage to Marvel’s offices, the next he was the first branded superstar artist at the publisher, or indeed the industry in general. The timing couldn’t have been better in terms of pop culture, which at this juncture had come into its own – here was a man brimming with ideas who had the ability to put them on the page, his nous and understanding of comics, cinema, psychedelic rock and other facets of showbiz imbuing him with immense confidence, and whose impact had a permanent effect on the medium. He also knew that he could borrow from other sources, aware that pop culture and comics specifically were now being taken seriously. Words: Andrew Colman…

Jim Steranko accepting lifetime achievement award
photo courtesy of Robert Poole
Steranko’s itinerant and eccentric formative years in the 1950s encompassed a great deal, mostly involving survival. Despite having little connection to his father, he learnt how to play music due to him, as well as becoming a stage magician and Houdini-style circus performer and escape artist (which led to Jack Kirby basing his Mister Miracle character on him) not to mention boxer and fencer. Everything the young Steranko took up he succeeded in, including being in rock bands, as well as (and this is the important bit) working as an artist and graphic designer.
By his early twenties, Steranko’s ambition was to be a comic artist. Upon visiting DC’s offices in the late 50s, editor Julius Schwartz gave him the script for an Adam Strange story, and like a sponge, he immediately took it on board. By 1966 he was at Harvey, working for comics’ legend Joe Simon on his abortive attempt to reintroduce super-heroes to the company. And from there, there was Marvel. After applying for work at the publisher Steranko was offered a two-page assignment inking Jack Kirby’s Nick Fury Agent of S.H.I.E.L.D. – and once again he completely adapted the King’s style and methods in mercurial fashion.
In fact, he went one stage further. Steranko’s genius was essentially his uncanny ability to mimic styles and seamlessly enhance and develop them, turning them into something else. Jack Kirby’s dynamic, widescreen mid-60s peak was perhaps the benchmark for Silver Age art, but somehow Steranko took his tropes and by extension the medium one stage further, and by adding cinematic and op art and surrealist elements made comics contemporary and cutting edge, which of course was exactly what Marvel editor Stan Lee wanted. Beginning his tenure on the spy series Nick Fury, his most celebrated work, in issue 151, by issue 155 he was more or less running the show.



Steranko’s time on Nick Fury lasted about 24 issues, the character moving from the split title Strange Tales to his own book. During this run Steranko relentlessly pushed the envelope, discarding convention and adding his sense of design to page structure and panels, all the while adding a sensual, outré James Bond-style tone that would sometimes be too much for the inflexible Comics Code. Despite his iconoclastic tendencies, Steranko was respectful of the medium and his forebears such as Kirby, Ditko, Krigstein and Wood. Throughout his tenure on Nick Fury Steranko proved that comics didn’t have to hang by the coattails of other media, his work even influencing cinema. His most iconic moment in the series would be the cover of Nick Fury 7, his homage to Salvador Dali’s The Persistence of Memory.

Steranko went on to write and illustrate equally distinguished work on two issues of X-Men and three of Captain America, which was also inflected with a similar espionage style to Nick Fury. Apart from one controversial (as it turned out) story in Tower of Shadows 1, Steranko’s key period at Marvel ended, but he did cement his place in comics’ fandom with the two volume The Steranko History of Comics. Despite the somewhat self-aggrandizing title, this was an essential, authoritative and passionate work, the two tabloid sized issues featuring reproductions of numerous Golden Age art pages as well as interviews with artists from that era. In many respects it dovetailed with the then recent development of comics’ fandom, with the arrival of dedicated conventions, fanzines and Overstreet’s guide.


Steranko moved away from the medium after the early 70s, occasionally working as a movie concept artist as well as producing the occasional graphic novel. Nevertheless, the relatively small amount of books he contributed to Marvel in the late 60s will always be considered a high point for comics, and mandatory reading for fans.
Here’s links through to the other entries in our 101 Greatest so far as well
Tripwire’s 101 Greatest Comic Artists Of All Time: No.14: Alex Raymond
Tripwire’s 101 Greatest Comic Artists Of All Time: No.15: Harvey Kurtzman
Tripwire’s 101 Greatest Comic Artists Of All Time: No.16: Walter Simonson
Tripwire’s 101 Greatest Comic Artists Of All Time: No.17: Russ Heath
Tripwire’s 101 Greatest Comic Artists Of All Time: No.18: Bill Sienkiewicz
Tripwire’s 101 Greatest Comic Artists Of All Time: No.19: Jack Cole
Tripwire’s 101 Greatest Comic Artists Of All Time: No.20: Bernie Krigstein
Tripwire’s 101 Greatest Comic Artists Of All Time: No.21: Graham Ingels
Tripwire’s 101 Greatest Comic Artists Of All Time: No.22: Al Williamson
Tripwire’s 101 Greatest Comic Artists Of All Time: No.23: Barry Windsor-Smith
Tripwire’s 101 Greatest Comic Artists Of All Time: No.24: Alex Ross
Tripwire’s 101 Greatest Comic Artists Of All Time: No.25: John Byrne
Tripwire’s 101 Greatest Comic Artists Of All Time: No.26: Mike Mignola
Tripwire’s 101 Greatest Comic Artists Of All Time: No.27: Basil Wolverton
Tripwire’s 101 Greatest Comic Artists Of All Time: No.28: Howard Chaykin
Tripwire’s 101 Greatest Comic Artists Of All Time: No.29: Moebius
Tripwire’s 101 Greatest Comic Artists Of All Time: No.30: Dave Gibbons
Tripwire’s 101 Greatest Comic Artists Of All Time: No.31: Creig Flessel
Tripwire’s 101 Greatest Comic Artists Of All Time: No.32: Milt Caniff
Tripwire’s 101 Greatest Comic Artists Of All Time: No.34: Burne Hogarth
Tripwire’s 101 Greatest Comic Artists Of All Time: No.35: LB Cole
Tripwire’s 101 Greatest Comic Artists Of All Time: No.37: Bill Everett
Tripwire’s 101 Greatest Comic Artists Of All Time: No.38: Robert Crumb
Tripwire’s 101 Greatest Comic Artists Of All Time: No.39: Mac Raboy
Tripwire’s 101 Greatest Comic Artists Of All Time: No.41: Jim Starlin
Tripwire’s 101 Greatest Comic Artists Of All Time: No.42: Mike Zeck
Tripwire’s 101 Greatest Comic Artists Of All Time: No.43: Adam Hughes
Tripwire’s 101 Greatest Comic Artists Of All Time: No.44: Daniel Clowes
Tripwire’s 101 Greatest Comic Artists Of All Time: No.45: Gene Colan
Tripwire’s 101 Greatest Comic Artists Of All Time: No.46: George Perez
Tripwire’s 101 Greatest Comic Artists Of All Time: No.47: Michael William Kaluta
Tripwire’s 101 Greatest Comic Artists Of All Time: No.48: Cary Nord
Tripwire’s 101 Greatest Comic Artists Of All Time: No.49: Frank Quitely
Tripwire’s 101 Greatest Comic Artists Of All Time: No.50: Mike Ploog
Tripwire’s 101 Greatest Comic Artists Of All Time: No.51: Johnny Craig
Tripwire’s 101 Greatest Comic Artists Of All Time: No.52: Darwyn Cooke
Tripwire’s 101 Greatest Comic Artists Of All Time: No.53: Steve Dillon
Tripwire’s 101 Greatest Comic Artists Of All Time: No.54: Gil Kane
Tripwire’s 101 Greatest Comic Artists Of All Time: No.55: Michael Zulli
Tripwire’s 101 Greatest Comic Artists Of All Time: No.56: John Romita
Tripwire’s 101 Greatest Comic Artists Of All Time: No.57: Joe Maneely
Tripwire’s 101 Greatest Comic Artists Of All Time: No.58: Marshall Rogers
Tripwire’s 101 Greatest Comic Artists Of All Time: No.59: John Severin
Tripwire’s 101 Greatest Comic Artists Of All Time: No.60: Alex Toth
Tripwire’s 101 Greatest Comic Artists Of All Time: No.61: Brian Bolland
Tripwire’s 101 Greatest Comic Artists Of All Time: No.62: David Mazzuchelli
Tripwire’s 101 Greatest Comic Artists Of All Time: No.63 Reed Crandall
Tripwire’s 101 Greatest Comic Artists Of All Time: No.64 Harry Anderson
Tripwire’s 101 Greatest Comic Artists Of All Time: No.65 Nick Cardy
Tripwire’s 101 Greatest Comic Artists Of All Time: No.66 Matt Wagner
Tripwire’s 101 Greatest Comic Artists Of All Time: No.67 Bryan Hitch
Tripwire’s 101 Greatest Comic Artists Of All Time: No.68 Shawn Martinbrough
Tripwire’s 101 Greatest Comic Artists Of All Time: No.69 Al Feldstein
Tripwire’s 101 Greatest Comic Artists Of All Time: No.70 Nestor Redondo
Tripwire’s 101 Greatest Comic Artists Of All Time: No.71 Tarpe Mills
Tripwire’s 101 Greatest Comic Artists Of All Time: No.72 Eduardo Risso
Tripwire’s 101 Greatest Comic Artists Of All Time: No.73 JH Williams III
Tripwire’s 101 Greatest Comic Artists Of All Time: No.74 Irv Novick
Tripwire’s 101 Greatest Comic Artists Of All Time: No.75 Dan Zolnerowich
Tripwire’s 101 Greatest Comic Artists Of All Time: No.76 Gilbert Shelton
Tripwire’s 101 Greatest Comic Artists Of All Time: No.77 Tommy Lee Edwards
Tripwire’s 101 Greatest Comic Artists Of All Time: No.78: Sean Phillips
Tripwire’s 101 Greatest Comic Artists Of All Time: No.79: Jose Luis Garcia-Lopez
Tripwire’s 101 Greatest Comic Artists Of All Time: No.80: Dan DeCarlo
Tripwire’s 101 Greatest Comic Artists Of All Time: No.81: Marie Severin
Tripwire’s 101 Greatest Comic Artists Of All Time: No.82: John Paul Leon
Tripwire’s 101 Greatest Comic Artists Of All Time: No.83: Jim Lee
Tripwire’s 101 Greatest Comic Artists Of All Time: No.84: Denys Cowan
Tripwire’s 101 Greatest Comic Artists Of All Time: No.85: Ross Andru
Tripwire’s 101 Greatest Comic Artists Of All Time: No.86: Paul Gustavson
Tripwire’s 101 Greatest Comic Artists Of All Time: No.87: George Evans
Tripwire’s 101 Greatest Comic Artists Of All Time: No.88: Michael Golden
Tripwire’s 101 Greatest Comic Artists Of All Time: No.89: Matt Baker
Tripwire’s 101 Greatest Comic Artists Of All Time: No.90: Todd McFarlane
Tripwire’s 101 Greatest Comic Artists Of All Time: No.91: Fiona Staples
Tripwire’s 101 Greatest Comic Artists Of All Time: No.92: Carl Barks
Tripwire’s 101 Greatest Comic Artists Of All Time: No.93: Carmine Infantino
Tripwire’s 101 Greatest Comic Artists Of All Time: No.94: Alan Davis
Tripwire’s 101 Greatest Comic Artists Of All Time: No.95: CC Beck
Tripwire’s 101 Greatest Comic Artists Of All Time: No.96: Syd Shores
Tripwire’s 101 Greatest Comic Artists Of All Time: No.97: Bob Fujitani
Tripwire’s 101 Greatest Comic Artists Of All Time: No.98: Tim Sale
Tripwire’s 101 Greatest Comic Artists Of All Time: No.99: Jim Aparo
https://tripwiremagazine.co.uk/headlines/tripwires-101-greatest-comic-artists-of-all-time-no-100/
https://tripwiremagazine.co.uk/headlines/tripwires-101-greatest-comic-artists-of-all-time-no-101/



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